I was first introduced to my next interview subject on Facebook. My friend Lisa was a big J.J. Cohen fan from his work in the film, “Fire With Fire” where he played Myron “The Mapmaker” Hampmacher, the second male lead. She also knew that I was a “Back To The Future” fan so she connected me with J.J., who had played Skinhead in the first 2 BTTF movies and a member of Needles’ gang in the 3rd. Over the course of several years, we got to know each other, and in 2013, we had a series of conversations on the phone about his life and career. At first, I only associated J.J with the “Back To The Future” trilogy, but as we had our conversations, I discovered there was much more to him, not only as an actor, but also as a man. He’s had an extremely full and eventful life so far, with many high points and some low ones, but something tells me with as much as he’s done, there’s still a lot more that lies ahead. He was kind enough to open himself up and share much of it with me over the course of 3 long phone calls (and a few shorter ones,as well). I hope you will all enjoy getting to know J.J as I did.
Without further ado, here’s the Flashback Interview With J.J Cohen!
Caps: Can you hear me?
J.J: Yes, I can.
Caps: Alright, let me just bring up my questions.
J.J:> Alright, shoot.
Caps: I always start off with these 2 questions. Number 1: What were your pop-cultural likes growing up, like favorite movies and music?
J.J: Oh, I thought you were going to start off with a song we could actually sing together. No, I’m just kidding. Well, let’s see. The first thing I really want to say is thank you for taking the time to talk to me. Secondly, my pop-culture likes: You know, I was big into Friday night TV. “The Brady Bunch”, “The Incredible Hulk”, there’s probably many more I can’t remember now, but like, “The A-Team”. I used to love to watch the boxing matches with my dad. Muhammad Ali late Friday night. I used to fall asleep whenever those fights came on, but I loved that. I watched a lot of TV. I went to the movies a lot when I was a kid. Some of my favorite movies when I was a kid growing up were “The Warriors” and I watched a lot of Saturday morning cartoons. I loved Batman and Robin. In fact, my first agent represented Adam West, and so it was kind of cool being able to go in there and see pictures of Adam West on his desk. I never met him, but it was very surreal. I come from Maryland, which is a very sheltered lifestyle compared to California. I always make the joke that California is much more hip than Maryland. “You go back to someone in Maryland and say ‘Hey, I’m gay’, and they say ‘Yeah, I’m happy, too”. I don’t know if you get that or not.
Caps: Oh, no, I get it. It’s funny.
J.J: Okay. You’re a quiet laugher. Did you smile at least? I can’t tell.
Caps: I smiled.
J.J: Okay, very good. In terms of music, growing up, I was very impessioned by black culture. I listened to a lot of Cameo and Parliament and Funkadelic, and a lot of black soul groups. You know, “Rapper’s Delight” was very big as a kid for me then, and of course, it’s turned into something much bigger and different now than what it was, but black music was a very heavy influence in my life. Earth, Wind and Fire, The Commodores, you know, black music of that kind.
Caps: I know what you’re talking about. I grew to enjoy that in my late teens and early 20s when I purchased some old school funk CDs.
J.J: Yeah. See, I moved to California when I was 15, and so when I moved to California, it was a totally different thing. I kind of got away from that soul and funk and disco-type music and that’s when I really started digging The Doors and Led Zeppelin and The Who and all that kind of much different type of music. My world started opening up a lot more when I moved to California.
Caps: That actually sort of leads into my next question. Before you’d gotten to California, what were your school days like?
J.J: Oh, God. I was a bad kid in school. I mean, when I was in elementary school, I’d be sent down to the principal’s office on a regular basis…Really regular basis. Even in junior high, I was sent down to the principal’s office quite a bit. I would get into fights sometimes, but the real reason I was always sent down was because I was always talking in class. I was always trying to make jokes and I guess you could say the teachers and I came at it from a different angle. You know, they were trying to teach the class, hence the name “teachers”, but I was trying to just entertain. That was really all it was. Looking back now, I can see how irritating it would probably be, interrupting and making jokes when I’m trying to teach a class, when the teacher’s trying to teach a class, but back then, it seemed harmless and I couldn’t understand why that was such a big deal. I actually have 4 sisters, and I really wanted to be a magician when I was younger, but I gave that up when I found I couldn’t make them disappear, so I went into doing other things. I played a lot of ball when I was younger, too. I really wanted to be a pro baseball player. That was my thing, and then when I was 15, I tore all my ligaments in my elbow and had a real difficult time throwing the ball, so I kind of gave that up. I played high school basketball, and I did some musicals when I was little, but it wasn’t really until after I couldn’t play ball anymore that I started taking acting classes. I was one of those June babies, so I was always the youngest in my class. I wouldn’t turn the age that everyone else was until after the end of the school year. It wasn’t until I turned, I believe, 16, fresh 16, I didn’t have a driver’s license yet, that I started studying acting, and I studied at the Estelle Harmon Actor’s Workshop on La Brea in Hollywood. Renny Roker, a friend of my father’s from the music business, and I think his sister was Roxie Roker (Lenny Kravitz’s real-life mother), who was an actress on “The Jeffersons”; Anyway, he recommended that acting school to my father for me and that’s when my professional training began…By the way, my father was a huge influence on me growing up as a kid. Both my parents were, but my father was, in respect to the black music and playing ball, because that’s what he dug. As a matter of fact, you know Peaches and Herb. You’ve heard of Peaches and Herb, right?
Caps: Yes, I have. “Reunited”.
J.J: “Shake Your Groove Thing”, “Reunited”…Herb used to work for my dad in one of the record stores that he owned. My father, whose name was also Herb (“Herbie” as he was called), owned a chain of 17 record stores called Waxie Maxie’s back in Maryland, D.C and Virginia. And my dad was the coolest cat!! I mean, he was super-cool!! He was known as “the blackest white man on the East Coast” with a heart of gold. And he was a hard worker, he worked 7 days a week but the weekends were not full days. In fact, I remember as a kid, I would go with him to work on Saturday mornings. I would bring my little TV and watch cartoons while dad would work until 12:00 noon, a half day…But it was so cool, because I always felt like I had a job, too, and plus, I was with my dad, which was cool just in itself. We were always best friends growing up. I’m not kidding, he was my absolute best friend!! And the best thing about that was I learned a great work ethic. I learned the value of getting up early in the morning. It was great. Still to this day, I’m an early riser and I couldn’t really get that kind of motivation from any school. But “working” with my Dad made me feel like I too, was a “working man”…I forgot what the original question was, but this has been captivating so far, hasn’t it? (Laughing)
Caps: Yes, it is. I’m listening…I’m just letting it all soak in…
JJ: Oh good!! So yeah, he was in the music business for 30 years, all his life, and I remember as a kid being backstage at a James Brown concert at Wolftrap in Virginia. When my sister and I walked into James Brown’s dressing room, he said to my dad “Hey, Herbie, is dat my kidz? Where my kidz at?”. He came to us and hugged us. It was a sweet “magic” moment, and I’ve been lucky and blessed to have had many “magic” moments like that. One time, my dad and I took the train from D.C to New York. We were going for a karate tournament that people from my dojo were participating in. I went up there, and my dad took me around to the record companies. I’ll never forget going to Atlantic and meeting Ahmet Ertegun in New York. Atlantic Records was really cool. Looking back now, it all seems surreal. Of course, at that time, I didn’t know who Ahmet Ertegun was, other than the guy who gave us free Broadway tickets to “A Chorus Line”, and “Annie”, which was amazing. I sung those songs for weeks after, which of course reminds me of so many stories. I mean, there’s so many stories to tell about my dad. That would be a whole interview in itself, but the one I must share is the day my dad proved to me what a survivor he was. Now, you have to understand, my dad was my hero in many ways, but when we moved out to California, I was a teenager, and so it was such a shame how the people from the music industry stonewalled him when we moved out here. Capitol Records, A&M, Warner Brothers, all of them…He went looking for jobs and they all wanted younger people. They all gave him lines like that. “Well, we’d love to hire you, but we couldn’t pay you what you’re worth, so it just wouldn’t be fair to you”, as if they were really looking out for my dad. (Btw, I would hear this line later in life at certain agencies so I could smell the bullshit long before I ever had a chance to believe it), BUT my dad would say “It’s okay, I’ll take it. I really need the job.”, and they still said no. For a frame of reference it’s important to point out that back in the 70s, my dad was making $70,000 a year as an executive, which would be like $400,000 today (I’m guessing here with inflation). So my dad took that rejection and he left the music business, and he opened up a restaurant called the Maryland Crab House. It was an instant success from day one, the day we opened the doors, and we had it for about 13 years. Now here’s the icing on the cake, remember when I just said my dad was making $70,000 a year? Well, for those 13 years at the restaurant, he was netting, netting, mind you, about $700,000 a year!! SCREW YOU MUSIC INDUSTRY!!

Mom and Dad in front of our family restaurant.
Caps: Great story…That actually brings me to my next question. What was your favorite role from your theater days?
J.J: You know, I loved doing musicals. I don’t think there was a musical that I didn’t enjoy. Just to back up one second, when things changed for me was, when I said, I stopped playing ball and then I started the acting classes, and I started doing some theater, like more theater outside of my high school. I remember I was always kind of the outsider – moving to California, playing ball, acting, etc. I remember doing this part in “Guys And Dolls”, and when I went to audition for it. It was this theater school for young teens. They did “Guys And Dolls” every year, so they already had it cast. Well they were casting this one role, because the kid who was playing it, moved, so they needed somebody to come in and play this role. I saw it in Dramalogue Magazine, and I went to audition for it. It was for the role of Benny Southstreet. So I got the part, and the mother of one of the actors in the show said “You have a pretty good voice, why don’t you be the understudy for Sky Masterson?”. So I said “Okay”, not knowing any better, and so I sang the song that he sings in front of everybody.
Caps: I believe that’s “Luck Be A Lady”.
J.J: Yes, that’s one, but the other is “I’ll Know”, and I sang it better than the guy who had the role. At that point, she announced I would be his understudy. Of course, I never was called on to be his understudy during the run of the show, mostly because when she made the announcement, all the other kids turned against me, and none of them would ever talk to me because they thought I was taking the role away from their buddy. It was a horrible experience, but it was cool because I was good at it. I was being recognized for that and that felt good. In terms of my absolute favorite theater role, I don’t think that came until much later. I did this one play that I just loved. I’ve done it probably too many times. I’ve done 3 different productions of it, and the first time I did it, I produced it. It was so alive and fresh that I think that was probably my favorite production, but my second favorite production was a much more homegrown, or natural production, because I wasn’t involved in the producing of it. I was just there as an actor, and somebody had seen me in the play and called me a couple of years later and said “Hey, would you like to do this play again, but I’ll produce it and direct it at my theater”, and I said “Yeah, man, that’d be great”, so we did it again and I really loved that production as well. Any time you do something the first time, your heart goes out. It was a great piece called “A Bench At The Edge” by Luigi Jannuzzi.. As the play opens, I’m already on-stage as the audience is walking in, and so it creates kind of a sense of theatricality. It was a 2 character play – There’s Man 1, that’s me, and Man 2 and it takes place in the mind…Specifically that part of your mind where you go when you contemplate suicide, hence the name “A Bench At The Edge”. So what happens is I live there…It’s established that I live there because I’m onstage when everybody walks in. I don’t want to give too much of the play away, but I live there and the opening line of the play is the other guy walking on the stage, saying “I knew it. I knew it. I knew he was going to be up there with her. I shouldn’t have gone up there. Why did I go up there? I knew he would be up there. I knew it. I knew it.”. And he’s saying this as he’s walking along the edge. The edge of the abyss, which is the front of the stage. So in short, we meet there and there’s an exchange. It’s a very powerful piece. What you come to see in it is that physically…Remember, it takes place in the mind…Physically where I am is in a hospital. I have this red rope tied around my waist and it’s off to the back of the stage…towards “life” if you will. So where I am physically is, I’m in a hospital, and I’m on life support. Unconscious and on life support, hence the red rope…my lifeline, so to speak. That’s tied back towards life. You with me?
Caps: Oh, yeah.
J.J: And throughout the play, it seems like I’m egging him on. “Go man, go! Oh, yeah, man, go! She cheated on you? Oh, you don’t deserve that. Go ahead, I’ll understand, you deserve better.” Towards the end of the play, he calls me on it and there’s this huge conflict where at some point he says, “Well, why don’t you go?” And I say “Well, I can’t. I have the rope. I’m still attached”. “Yeah, but I could cut the rope for you”. I say “I don’t want to do that”, and then there’s this tug of war over the rope, and a big dramatic climax. The point of the play however, is that even if given the choice, it’s better to live than to die.
Caps: That’s a message I can definitely agree with.
J.J: Yeah. I don’t know if you want to segue into suicide or not, because I know a lot about that. I think everybody at some point wonders what that’s like, and I think if you ever suffer from any kind of depression…It wasn’t until I got into drugs and alcohol that I really started exploring that stuff, but it was more so in the recovery from drugs and alcohol. I’m sober now 17 years, and today, I go into jails and hospitals and talk about alcoholism and drug addition and recovery from it, because jails were a part of my story. You know, Johnny, I found that I wasn’t a very good prisoner, I’m not good at jail (laughing), and so I just try and do things I’m good at. I tried to capitalize on my strengths. By the way, I found that I wasn’t a really good homeless person either, and so I kind of gave that up too, because I was homeless for a while. I was bankrupt and in foreclosure, and I lost 2 fiancees. When I say lost them, I meant they left me. I didn’t misplace them. That always gets a big laugh when I speak, but anyway, it’s true. It’s very true, and I try to take a much more open-minded approach to it all, but getting back to the whole concept of suicide…When you are an alcoholic or a recovering alcoholic or have any kind of mental illness, from the studies that are being done now, it’s clear that we all suffer from some degree of mental illness. Because of that, we do what we do to recover from that. The recovery methods that we use aren’t always the best. I didn’t realize I was an alcoholic, until you took the alcohol away, and then I saw what really happened to me, and then you could understand people saying “Oh, my God. Give him a drink for God’s sake. Give him a drug for God’s sake. Take your medicine. Make sure you take your medicine”. Whatever the medicine is, whether it’s food or…You look at addiction in itself, right, and the easiest addiction that you can come by…It all stems from a malady. It all stems from some sort of mental illness. It’s not often a choice. It’s not like once you have this thing you can say “Okay, if you have a problem drinking, just don’t drink”. It’s not that simple, and it’s always someone who’s not an alcoholic or hasn’t been diagnosed with any kind of mental illness or hasn’t been an admitted drug addict that thinks they can relate to it, but they can’t. 90% of the population is not alcoholic or addicts. Personally I think we’re all addicted to something, to some degree… But the studies say 90% of the population, and again, that doesn’t mean they’re well. I want to make that point very clear. It just means they’re not addicted to those 2 chemicals. The easiest addiction there is, is food. You go into a restaurant. You hear a baby cry, and what does the mother do? Feed it. So what’s the message you learn early on? Eat your feelings. Eat your pain, eat your anger, eat your happiness. How many times does something great happen in our lives and we go “Hey, let’s go out and go have a great meal?”, and you eat to excess and the next day you have leftovers, and you keep eating it. Being in movies, the message we get from movies. In most movies when the girl gets dumped by the guy, what’s the next scene? She’s in her bedroom or in her PJs, with the Haagen-Dazs Ice Cream and a spoon.
Caps: Yeah, a lot of that makes sense.
J.J: So, the message once again is to eat your pain, and it’s not like she’s eating a salad. “Oh, well, I’ll show him. I’m gonna eat this salad, and take care of myself, and I’ll go get a good guy who’s healthy”. No, she’s eating ice cream, she’s eating cake, she’s eating comfort food, because that’s part of our programming, because of what we see on TV and at the movies, and also because of our upbringing. You know, being raised Jewish, it’s always “You can eat a little more. I know you’re full, but there’s always room for dessert.”It’s not just being Jewish, I know a lot of cultures, that enjoy eating, shall we say, but it’s like that kind of mentality, and it breeds addiction.
Caps: I see what you’re saying…My next question is: You’re credited on the IMDB with having an unidentified role on “Santa Barbara”. Since that was your first acting gig on-screen, who was your character and what was it like working on that show?
J.J: I played the role of Disc. I had like, maybe, 1 or 2 lines per episode. It was a soap opera, and I think I was on 2 episodes. Before that, I was an extra on “Meatballs II”, with John Mengatti, and that was an experience in itself. My mom came with me because I was a minor and we were fed lobster tails…and I love lobster tails so I thought this movie thing is pretty great. (laughing) My mom loves when I tell that story. My first actual speaking role was “Paradise Motel”, where I played Shooter Spinelli. “Santa Barbara” was the first soap opera and it was also my first official union job. I think the big kick on that, really, was I had my name on a dressing room door, and I think that was what I remember most.
Caps: I can only imagine how much of an accomplishment that must feel like.

As “Shooter Spinelli” in “Paradise Motel”
J.J: It was. It was really cool. Of course, as I started working more after that, I wasn’t so concerned about the dressing room anymore. It was more about the work, but I still did the same amount of preparation for it. I remember my character Disc. He was this nerdy little computer guy. We were out at the beach. There were beach scenes. It was “Santa Barbara”. All I kept thinking was every time I’d go to the beach as a little kid, my Mom would put that white zinc oxide on my nose.
Caps: Oh, yeah. I’ve seen that in movies.
J.J: Well at the time, I had never seen anyone do that – And so, I remember just putting white zinc oxide on my nose to play the role, to develop this kind of character. That, and I might have worn glasses. I don’t remember.
Caps: And now we come to the question that you were kind of expecting me to ask: You played Skinhead in “Back To The Future”. What was your favorite part of working on the “Back To The Future” trilogy?
J.J: Well, working on the “Back To The Future” trilogy is different from working on “Back To The Future”. I think working on the very, very first one…I had a blast. It was an incredible time. Many people know I was originally up for the role of Biff, and on the DVD commentary, Bob Gale and Bob Zemeckis both talk about how I was their first choice for Biff. The way I remember the story, and it was a long time ago, was that Sid Sheinberg was the head of Universal, and it was down between me and one other person, and Eric Stoltz had the role of Marty McFly at the time. So Eric and I were the same height. Apparently, they wanted Michael J. Fox originally, but the producers wouldn’t let Michael out of his contract on “Family Ties” to do the movie. Eric Stoltz and I were the same height, and as a result, they didn’t think I was big enough or towered over Eric enough to play the bad guy. The other guy, apparently, they said was too old, and that actually turned out to be Tim Robbins, I found out later. So they kept recasting and eventually, they found Tom Wilson, but had Michael been cast originally, I probably would’ve been Biff. I’ll take the humble way out of this and say, now that I’ve seen the movie, I can’t imagine anyone else playing the role, but I can tell you this: I really wanted that role. As an actor, you know, it’s always heart-breaking when you lose any role, even if you’re given another role in the same project. I loved the relationship that I had with Robert Zemeckis in that first movie.

J.J. Cohen and Michael J. Fox in Back To The Future”
J.J: In “Part II”, it was a little bit different because I had gone off and done “Fire With Fire”, and “The Principal”, and “976-Evil”, and a bunch of other TV. Casey (Siesmako) had gone off and done a few flicks, and Billy (Zane) had gone off and done a couple of flicks, and so when we all came back, here we had now done a few things, and so it was just a little different atmosphere. The same thrill of being on that early set wasn’t the same….And then (“Back To The Future, Part) III”, I’m really grateful for. It was one day, and I was playing part of Flea’s gang. I’m the only one of the 3 original guys that was asked to be in that, and that’s cool. Unfortunately, it was about a month after my father died, and so it was a really, really sad time for me. It’s funny, because I’ve really had a great time with life, and I feel like this interview is turning into something so tragic, but there has been a lot of tragedy and trauma in my life as well, but I’m sorry if it’s turning into that. I really didn’t mean it to be that.
Caps: Oh, no, no, it’s absolutely fine…Well, I mean, not for you obviously, but it’s…
J.J: (Laughing) That’s funny.
Caps: I understand what that’s like, though. I mean, I lost my father as well when I was 12.
J.J: Oh, really.
Caps: Yeah.
J.J: Wow, I can’t even imagine. I lost my Dad when I was 24, and I can’t even imagine what that would be like to lose your dad at 12. Let me ask you: Did any people step in for you, like grandfathers or uncles or anything like that?
Caps: Well, really, all my grandparents were dead before I was born, and I did have aunts and uncles helping me, although I rarely saw them. It was more of my Mom’s friends who stepped in to fill in the gap.
J.J: Were you close with your dad?
Caps: Yeah, I was.
J.J: Yeah, as I said before, I was really close with my Dad, and you know, what happened was that’s kind of a sad situation, too, because I wanted to work as an actor but I wanted to study. I wanted to be a really good actor is what it was, and I didn’t just want to be a flash in the pan, I was being compared as a cross between Sean Penn and Anthony Michael Hall, and perhaps the next Richard Dreyfus, which was very unique. I had just seen the film, Whose Life Is It Anyway, and I thought, “Yeah, Richard Dreyfus”!! So when I was the most hot, right after I was the second male lead in Paramount’s Fire With Fire, I took myself out of the industry to study. My agent was obviously not happy about the decision. My father was not happy about the decision, because he was like “Can’t you do both?”, and I was like, “No, I’m learning these things in class, and I’m learning them, and they take time”. When I go on a movie set, you don’t have the time to learn. You know, “We’re losing light. We need to shoot this scene.”, and so I couldn’t do both. I tried to explain that to my father, and he couldn’t get it. We sort of had a little bit of a falling-out over that. There were other things that came up to, like most people in their late teens and early 20s, or people trying to find their own independence at an early age, you know, they separate from their parents. Unfortunately, at a time when he and I were kind of separating from each other, and I was trying to grow up and be a man, and learn about what that meant, he died. That was kind of a sad story, too. My father never really took great care of himself health-wise. He went to this local market called Bob’s Market on 17th and Ocean Park, and he went inside for 10 minutes. He came back outside…He had a brown bag with him, opened up the passenger’s door, put the bag in the door, went over to the driver’s side, and had a spell. He fell backwards, hit his head on the pylon and died. It was ruled a heart attack, and what was in the bag was 5 packs of cigarettes and 6 candy bars. I forget what the word is, but it’s when something makes total sense in hindsight…

Traveling in Europe after father’s death. Brussels
Belgium – Standing in LE GRAND PLACE…Drank my first
“fruit” flavored beer here.
Caps: Retrospect.
J.J: In retrospect, maybe there’s another word, too, for it, but it was very telling that this man died, and those things that were in the bag were probably a direct link to exactly what killed him. You know, having the cigarettes and having the candy bars. After he died, that was when I officially started losing it for acting. You know, when I took my first big official break, I had already learned my technique, and came back to acting, but at this point, I felt like I had given everything to acting, and I started to question what was really important to me. I realized how much I had been neglecting the people I loved. It wasn’t like I was mean or rude or shitty to them, not intentionally. It’s just that I was so focused on being a good actor, and that’s all that really mattered to me, you know, was my craft, my art. I wanted to win Academy Awards…That was it. I remember talking to other actors about this, and saying “Hey, guys. We could take this really seriously, and we could raise the standard of Hollywood”. I wanted to revolutionize the whole industry. I said “We could raise the standard of this craft”, and all the people I was talking to, they would cheer me. “Yeah, J.J, that’s great. Let’s do it”, and the next sentence, they’d say “Well, I really just want to work”, and that wasn’t my feeling about it. When my father died, I kind of had to do a little personal check, and it was at that point that I started living my life a little bit more that wasn’t so centered around the entertainment industry and I took my 2nd break from it in a very short time. I traveled to Europe and fell in love in Europe

J.J:…That in itself is a whole other story, but I met this girl in Belgium from Finland, and fell in love and we carried on for about a year.
.J.J: We met up in Paris for a week, and I remember we had lunch in the Eiffel Tower at Jules Verne. It was awesome, man. I mean, I’ve lived a really great life, and done some really cool things. It was all about just trying to find myself, and that happened once I took myself out of the industry.

A rendezvous in Paris with Nina during the year we
dated, All dressed up for lunch at Jules Verne Restaurant,
halfway up the Eiffel Tower. Ooh la la
Caps: That’s very interesting. My next question: Was working on “Back To The Future” how you got your role as Jake in the “Amazing Stories” pilot “The Mission”?

Riding Elephants in Thailand
J.J: I imagine it probably helped, but it was 2 totally different casting directors. I think Joanna Ray was the casting director on that, if I remember correctly. I might be wrong on that. But I was going through this phase because that was actually during that Summer when I was supposedly not working and just taking time off yet my agent had called me and said “Yeah, they want you for that role”. I don’t think I had to read for that. I think I was just given that part, so I guess in answer to your question, that was that. I think that’s exactly how I got it, or because I was hot at that time, and they were looking for the up-and-coming guys to be in that ensemble piece.
Caps: What was Kevin Costner like to work with?
J.J: Well, let me put it this way: I really liked Kevin on a personal level. You know, I always get nervous whenever people ask what people are like to work with because I always want to give the honest answer, and I know that’s often not what people really want. They really want a nice cheery answer, and the reality is that I really liked Kevin. At the time, he was going through some personal things that he had shared with me…Basically, he was involved in a relationship, a long-term relationship. I don’t remember if he was married or if it was a girlfriend. But I could tell when I went to his dressing room to rehearse, something was wrong, and he was having a bad day. He didn’t know me that well and he just kind of opened up to me, that he would be very disappointed if that relationship didn’t work out. I was very touched by that and felt close to him during the shooting, a kind of a bond. I had more interaction in those two sentences with him than I ever did on the actual set. But we actually created our moments. I mean, if you see “Amazing Stories”, there’s this scene where we definitely created some tension in the cockpit during the climax of that episode. I really don’t have anything bad to say about him at all. He yelled for Steven quite a bit, I remember that, but I think that might have been he was just trying to communicate with the director, but that’s it.

J.J. Cohen and Jon Cryer – AMAZING STORIES’ “Miscalculation” directed by Tom Holland (who directed FRIGHT NIGHT)
Caps: Going on to my next question: You played Myron The Mapmaker in “Fire With Fire”. What was your favorite part of working on that movie?
J.J: Oh, God, there were so many great things about that movie. I loved working with Craig Sheffer. Craig and I were really close. I learned a lot from Craig during that. Virginia Madsen, who I had known from hanging out with Billy Zane and our friend Jen Greenwald…They all grew up together. Michael Madsen, Virginia, Billy Zane, Jen and their circle of friends, and Billy Campbell. At the time, Billy Campbell was going out with Virginia Madsen, and so whenever we’d get together, they would all be together. It was always cool hanging out with all those guys because they were really cool, friendly.
J.J: None of us looked at each other like “Hey, you know we’re actors that are doing well right now” or anything like that. We were all just kind of buddies, and so it was really cool when Virginia got the part. So the day I saw her up there in Canada where we were shooting, it was, like, “just love”. It was good. It was a very positive thing seeing Gina (Virginia), getting to meet Sheff.
J.J: Jean Smart, who I met on the set of that film, was very, very sweet and kind. Working with Jon Polito, he’s just a trip in itself. and then the late Kate Reid, she was very sweet. That was a great movie. I remember I got laid quite a bit during that movie.

J.J. Cohen and Penelope Sudrow – The Dance Scene from “Fire with Fire”
Caps: I have another question related to that.
J.J: Me getting laid?
Caps: No. (Laughing)
J.J: O.K, shoot!
Caps: We see that Craig Sheffer’s Joe and Virginia Madsen’s Lisa escape from their respective prisons at the end of the movie. What do you suppose happened to Myron?
J.J: Myron? Well, they cut that out. Basically, Myron got more time for aiding and abetting their escape.

J.J. Cohen as Myron “The Mapmaker” Hampmacher, after Boss got a hold of me.